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lavarayahà

  Files for download:

    lavarayaha.doc

MONO SPECTACLE FOR VOICE, DOUBLE BASS, ELECTRONICS, VISUAL EFFECTS, ACTING AND DANCING

IRINA-KALINA GOUDEVA voice, double bass, acting & dancing

EJNAR KANDING live electronics & video

MUSIC BY: LARS GRAUGAARD, JULIA TZENOVA ,IVAR FROUNBERG , EJNAR KANDING, KIM HELWEG, EDITH CANAT DE CHIZY, YAEL ACHER, IRINA - KALINA GOUDEVA, , LARS HEGAARD, MORTEN OLSEN,,WAYNE SIEGEL, MORTEN SKOGAARD DANIELSEN , CASPER CORDES, JEXPER HOLMEN

TEXT FROM: ANTOIN DE SAINT-EXUPERY, KHALIL DJUBRAN, PABLO NERUDA,

IRINA KALINA GOUDEVA, MORTEN SKOGAARD DANIELSEN, EGIPTIAN BOOK OF DEAD”

VISUAL DESIGNERS: OLAVI LINNA, SØREN ZEUTH, ANDERS ELBERLING, POUL IB HENRIKSEN, EWA SKOWRONSKA SLAW, IRINA-KALINA GOUDEVA

Sponsors: DMF, Solistforeningen , Danish Composer’s Society/Koda’s fund for Social and Cultural Purposes , Københavns Kulturfond , DMF- København , Danmarks Nationalbanks Jubilæumsfond , DPA microphones.


PRESENTATION

“LAVARAYAHA” is a mono spectacle; one can call it a “holistic artwork”, which integrates music for voice and double bass with poetry, visual effects, acting and dancing.

Stylistically speaking, the music of the show is in the aesthetics of Avant-garde and Contemporary Electro -Acoustic experimental music, also incorporating some ritualistic/spiritual and rhythmical elements.

The dramaturgy of the spectacle is built on the story of the Creation of the world and the human being.

Each of the musical / theatrical pieces (eleven of them exclusively written for the performance) expresses different aspects of the human existence, evolution, state of mind and spirit, philosophy, aesthetics …

The performance experiments with the believe of things being inseparable…

The components, traditionally belonging to the musical language (such as sound and rhythm), are expanded abstractly trough the visual images and vice-versa, thus creating a unity of perception …

Same approach is used for expressing sound trough movement and light…

The different kind of art forms are used as colors of the palette of an artist, complimentary to one another playing with each other, often interchanging parts …

The video instruments and the live processing video create a visual expression in continuation of both painterly spontaneous abstraction and many practice forms in the matrix of video performance, animation and modern painting.

Furthermore, the alchemy, created between sounds, words, timbres, movements, images, colors, etc. is guiding the spectator to a point, where everything becomes one – a unique frequency of energy …

Irina-Kalina Goudeva

* LAVARAYAHA - (in Sanskrit language the names of the four elements Cosmos is build from – fire, air, water, earth, united by space).

 

Program

Ipilatus (4,5)

for voice, dance and electronics



Wayne Siegel

(Denmark)

Before (5’00)- for voice ,double bass and electronics


Lars Graugaard

(Denmark)

Dance de L’Aube (6’00)

for solo double bass


Edith Canat de Chizy

(France)

Menada (12’00)

for voice, double bass


Julia Tzenova

(Bulgaria)

Shoshana Sheli (La Fleur 3,50)

for voice, double bass and electronics

Yael Asher

(Israel)

Text Antoine de Saint Exupery

Chosen and arranged by Irina-Kalina Goudeva

Etitaterra (2’30)

for voice


Jexper Holmen

(Denmark)

Text Pablo Neruda

Crash the car and let us here (4'00)

for voice, double bass

Morten Skogaard Danielsen

(Denmark)

Abratavure (6,2 min.)

for voice,double bass and electronics

Joshua Parmenter

(USA)

I’ll Make You Cry (4’48)

for double bass, voice and electronics


Morten Olsen

Text Morten Skovgaard Danielsen

(Denmark)

Ilerqorsutin (5’00)

for double bass, voice

Ivar Frounberg

(Denmark)

Interlude (3’20)

for voice, double bass and electronics

Kim Helweg

(Denmark)

Da imitirash sebe si (7’00)

for voice, double bass and electronics

Irina-Kalina Goudeva-Casper Cordes

(Bulgaria -Denmark)

Arild (7’58)

for double bass and electronics

Ejnar Kanding

(Denmark)

Roni Manason (9’00)

for voice and double bass and electronics

Mark Dresser

(USA)

Music for double bass and computre (10'50)
for double bass and electronics

Cort Lippe

(USA)


Participants

Irina-Kalina Goudeva - voice, double bass, acting & dancing
Ejnar Kanding - live electronics & video

The double bass player and singer, Irina-Kalina Goudeva, was born in Sofia, Bulgaria. She studied double bass with prof. Todor Toshev at the Sofia State Conservatory (graduated in 1990 with Golden Medal and a full merit) and Franco Petracchi at the Geneva Conservatory of Music (receiving the First Virtuoso Prize in 1993).

While pursuing her activities as a principal player in orchestras such as the Young World Orchestra, Ars Musica Chamber Orchrestra (Sofia, Bulgaria), Simphonietta Lausanne, Orchestre de Chambre de Neuchâtel (both in Switzerland), and the Orchestra of the Royal Danish Theatre (Copenhagen), she has always found great inspiration in chamber music an collaborated with many ensembles such as “Ensemle 415”, “Swiss Consort”, “Kordepan” in Switzerland and “Aphrodisiac” in Denmark.

Possessing an eclectic nature, Irina-Kalina experiments with crossovers between different genres of music and has with equal intensity devoted herself to music from renaissance and baroque to modern tango, jazz and electro acoustic music.

She also incorporates her contralto voice as an integral part of the performance, thus adding a new dimension to the expressivities of her instrument.

Her passion for contemporary music connected her to ensembles such as “Contrechamps” (Switzerland), “Athelas Sinfonietta” (Denmark) and since 1998 she is a solo double bass player at the Contemporanea Interactive Art Ensemble in Copenhagen (Denmark). A part from staging “traditional” concerts with contemporary music, the ensemble often includes visual and verbal aspects as theatrical performance and poetry and in preference stages concerts in unusual surroundings. The musicians of the ensemble frequently take part in international and experimental theatre projects, in which they participate both as musicians and actors, as a kind of integrated performance.

In this contexts Irina-Kalina created in may, 2004 the music -theatre performance “Lavarayaha, which she performed in many countries in Europe till now, as well as the music – theatre performance “The Seventh Woman”, which was premiered in may, 2005 in Copenhagen.

Among Irina- Kalina ’s future assignments are presentations of both spectacles in Europe, USA, China, Australia and Japan in year 2005/2006,

In 2004 Irina-Kalina released her first solo CD “Irina-Kalina Goudeva – voice and double bass” containing contemporary (acoustic and electro- acoustic) music and she is planning a second one in year 2006,which will premiere 11 pieces, written for her from the composers Julia Tzenova, Fuzzy, Lars Graugaard, Kim Helweg, Lars Hegaard, Jexper Holmen and Yael Acher.

A prize - winner of several international and national competitions (among others Special Prize of the Jury – at “Giovanni Botstein”, Parma, Italy; First Prize and Gold Medal at “Svetoslav Obretenov”, Provadia, Bulgaria and First Prize at “Stefan Gougarev”, Kjustendil, Bulgaria) Irina-Kalina has performed as a soloist and recitalist in Bulgaria, Switzerland, France, Italy, Spain, Scandinavia, Australia, South America, Cuba, USA.

Ejnar Kanding (born 1965) is a Danish composer. He studied composition with Ib Nørholm and Ivar Frounberg as well as music theory with Yngve Jan Trede at the Royal Danish Academy of Music in Copenhagen, acquiring a Master in both subjects in 1993, and completing the Solo Composition Class with a debut concert in 1996. Furthermore, Kanding has attended seminars and workshops at IRCAM and studied with Lev Koblyakov in Jerusalem. Important performances include Synthese 2001, 31e Festival International des Musiques et Créations électroniques de Bourges; International Computer Music Conference, Cuba 2001; ISCM World Music Days, Hong Kong 2002; The Interactive Arts Performance Series, New York City 2003. Kanding is artistic director of ensemble Contemporánea, specializing in the performance of electro-acoustic music. The main focus is on a cutting-edge use of the latest digital innovations, realized through multi-media projects, audio-visual concerts, Internet presentations, etc. The ensemble has performed in Asia, South America, New York City, France, Switzerland, Germany, Ireland and Scandinavia.

Since 2001 he holds classes in composition at The Royal Danish Academy of Music in Copenhagen and also teaches in DEIM in Århus.

He has played in several international festivals (e.g. Denmark, Bulgaria, France,China, South America, USA)

 

 
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